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GPO Box No. 211

  • Théâtre du Poulet, Netherlands
  • Duration 60 Minutes
  • without spoken language with minimal English written text
  • Supporter 25,00 € | Regular 18,00 € | Discounted 12,00 €
  • Object Theater

DAS Theatre - Winter Presentations Burst the Bubble Chun Shing Au
DAS Theatre - Winter Presentations Burst the BubbleChun Shing Au
DAS Graduate - DAS Theatre Master Presentations 2024Chun Shing Au – GPO Box No.211"They can lock up my body, but they can't lock up my mind."My friend Siu Ming* and I have been sending letters to each other since he has been imprisoned two years ago for participating in the pro-democracy protests in Hong Kong in 2019. In our letters, we share our everyday lives and our dreams and limitations with each other. We also tried to write about the political situation in Hong Kong, but the officers censored the letters thoroughly. We have learned to read between the lines, and our writing has become poetic. Even though I am writing these letters in a country that enjoys freedom of expression, staring at the blank paper, I feel the limitations of my own mind. What does mental freedom actually mean?So far, we have exchanged 12 letters. GPO Box No.211* is a dream-like silent journey, inviting us to a visual reflection on topics such as liberty of mind, isolation and communication through the lens of object theatre. It is an attempt to keep a friendship alive straight through prison walls and across two continents – even if sometimes, the distance seems unbridgeable.* Name is anonymized.* GPO Box No. 211 is the address I send my letters to, in order to keep my own address unknown.Morbid Symptoms by Miguel MelgaresIn his Prison Notebooks, written during imprisonment by the fascist regime in Italy from 1926 until his death in 1937, Antonio Gramsci articulates one of the most eloquent insights to portray a period of historical transition: “The crisis consists precisely in the fact that the old is dying and the new cannot be born; in this interregnum, a great variety of morbid symptoms appear.” The sentence encapsulates Gramsci’s analysis of historical periods of crisis, when established power is in decline, but a new order has not yet emerged, leading to social, cultural, and political uncertainties. Central to his narrative is the Roman term interregnum, de
DAS Theatre - Winter Presentations Burst the BubbleChun Shing Au

My friend Siu Ming and I write each other long letters for three years while he sits in Hong Kong as a political prisoner. Since we know the letters will be censored, our writing style changes – we write them…

My friend Siu Ming and I write each other long letters for three years while he sits in Hong Kong as a political prisoner. Since we know the letters will be censored, our writing style changes – we write them in code, poetically, formulated between the lines of text. And even though I write my letters in a place where there is freedom of opinion, I run up against the invisible borders of my own thoughts.”

GPO Box No. 211 is a visual reflection on intellectual freedom, isolation and communication. It is the attempt to maintain a friendship beyond barriers and great distances – even when the connection feels fragile. The quiet production, similar to a dream where the stationary becomes the protagonist, received the ZKB Acknowledgement Prize at the 2024 edition of Zurich Theatre Spectacle.

On November 3 at 6:30 PM, Melanie Seifert will give an introduction to »GPO Box No. 211« in German Easy Language.
On November 4 at 11:00 AM, a workshop on the production with Théâtre du Poulet will take place.

Notes on accessibility: Information about the accessibility of the venue in structural terms can be found here.
Early Boarding is available.

 

Trailer »GPO Box No. 211«

Dates

3.11. Tue

Deutsche Erstaufführung

Co-Creation, Set Design, Performance
Chun-Shing Au

Co-Creation, Direction, Lighting Design
Carmen Lee

Dramaturgy
Rebekka Bangerter

Artistic Consulting
Sodja Zupanc Lotker

Choreographic Consulting
Jana Jacuka

Sound Design
Moa Holgersoon

Composition
Marko Ivic

Funded by
Canada Council for the Arts, DAS Theatre, Zürcher Theater Spektakel, André Veltkamp Award, Productiehuis Theater Rotterdam

https://www.theatredupoulet.com/

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